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Entries Tagged as 'Performance'

UPCOMING 2016

December 1st, 2016

DECEMBER

11 – Human Resources, 410 Cottage Home Street Los Angeles, California 90012 
Post-Election Policy Consequences on Marginalized Communities
6pm-11pm (6-8pm panel and discussion; 8:30-10:30pm performance program)

Join Human Resources for a gathering of leading social justice scholars as they discuss post-election policy consequences on marginalized communities. Law and policy experts will address immigrant and refugee rights, racial justice, criminal justice reform, reproductive rights, marriage equality, LGBTQ rights and climate change. They will suggest ways that the broader community can meaningfully assist the advancement of social justice causes.

Inspiring knowledge into action, a live music program will follow with performances by yek koo, White Magic and Pegasus Warning.

Participants include: Samantha Buckingham, Clinical Professor/Director, Juvenile Justice Clinic
Melissa Goodman, Director, LGBTQ, Gender and Reproductive Justice Project, ACLU of Southern California Carmina Ocampo, Staff Attorney, Lambda Legal Priscilla Ocen, Associate Professor of Law, Loyola Law School Emily Robinson & Marissa Montes, Co-Directors, Loyola Immigrant Justice Clinic

More TBA

01 – Dynasty Center, 818 N. Spring St. Los Angeles, California 90012,  The Unwrinkled Ear Concert Series  presents Biliana Voutchkova (violin), Rob Magill (woodwinds), and Helga Fassonaki (amplified pocket trumpet ) in solos, duos, and trio @9pm, $8
https://www.facebook.com/events/1788285441409766/

NOVEMBER
21 – Metal Rouge Official Record Release Date!  Stay tuned for Metal Rouge show announcement.  

SEPTEMBER

sept11_2016

11 – SADE Gallery, 204 South Avenue 19, Los Angeles, CA 90031 – yek koo, Some Pepper, Syko Freak

I_came_here_for_jazz

JULY
17 – The Box LA
, 805 Traction Ave, Los Angeles CA 90013 – BOXstock 2-day Festival – Metal Rouge @ 3pm, FREE 
3 – Non Plus Ultra
, 4310 Burns Ave, Los Angeles, California 90029, 9pm – GATE (Michael Morley will be joined by Gabie Strong and Christopher Reid Martin), Metal Rouge, Telecaves,  Peter Kolovos and DJ Prickle, $7

 MAY
19 – Non Plus Ultra
, 4310 Burns Ave, Los Angeles, California 90029, 9pm – RECIPROCAL ALTRUISM – [yek koo + Zaimph], [Gregg Kowalsky + Jean Paul Jenkins], [Joseph Hammer + Christopher Reid Martin],
and DJ unit [Kathleen Kim + Thomas Torrescordova], $7
reciprocal_altruism_web

APRIL
3 – The Wulf,  1026 s. santa fe ave. #203, los angeles, ca 90021, 8pm – Tom Carter / Michael Hentz duo and yek koo
7Museum of Contemporary Art, Grand Ave, Los Angeles, 7pm – Metal Rouge
10 Basic Flowers, secret DTLA location, 8pm – The Renderers, Metal Rouge, and Gabie Strong
16 – Michael Todd’s studio, 2817 Clearwater Street 90039, 8:30pm – Noel Meek (NZ), and Peter Kolovos / Patrick Shiroishi Duo and Solos, and Metal Rouge
FB event: https://www.facebook.com/events/500987790108425/

 FEBRUARY
yek_koo_heavy_hymns_UStour

2 – Queens, NY – Trans Pecos with Loren Connors & Tom Carter, JR Bohannon, 8pm
https://www.facebook.com/events/147935495582501/
5 – Chapel Hill, NC – Nightlight Bar & Club with MAKE and WXYC DJs, 9pm
https://www.facebook.com/events/1528204347507730/
6 – Asheville, NC – Downtown Books & News with Shane Parish, 7:30pm
https://www.facebook.com/events/1698496783764270/

http://www.dbnbooks.com/the-news-gallery/
10 – Dallas, TX – Wild Detectives with Derek Rogers + 
Chris Hughes, 7:30pm
http://thewilddetectives.com/?ajde_events=yek-koo-heavy-hymns
http://thewilddetectives.com/
11 – Houston, TX – Super Happy Funland with Damon Smith, Bastard Mysticism (Andrew Durham)
http://www.superhappyfunland.com/super_happy_calendar.htm
13 – Santa Fe, NM – Zephyr, 7:30pm
https://www.facebook.com/events/460617630804881/
14 – Albuquerque, NM – Gold House with Fina Nash, Other People’s Kids, Giant Killer, The Jeebie, 7pm
https://www.facebook.com/events/505959072907400/
16 – Phoenix, AZ – The Trunk Space  with 
Dismal Light, Seth Kasselman
https://www.facebook.com/events/103187553398722/
17 – Los Angeles, CA – High Fidelity, 6:30 – 8:30pm – IMPRESSIONS with LFZ/Heavy Hymns (duo), Helga Fassonaki/Meena Makhijani (duo), JC OSMUNDSON the REALIZER of HOUSE II (solo), and Ryo Kuramoto (Tokyo, solo)
https://www.facebook.com/events/445131055683242/
18 – Valencia, CA – Langley Hall, Cal Arts, 8pm
Please RSVP to lauraperez@alum.calarts.edu if you’re not a Cal Arts student and plan to attend
https://www.facebook.com/events/1108492825829897/
26 – Los Angeles, CA – Hyperion Tavern (Zebulon Presents) with Kathleen Kim/Special Guest Thomas Torrescordova, Jordonna, Ryan Sawyer and DJ Kerry Lacy
https://www.facebook.com/events/659204830887657/

JANUARY
13 (Wednesday) @ The Stone in NYC, NY –  10 pm (The Stone Residencies – Matana Roberts)
Matana Roberts, Helga Fassonaki, Ava Mendoza and Tomas Fujiwara
Matana Roberts (alto sax) Helga Fassonaki (pocket trumpet) Ava Mendoza (guitar) Tomas Fujiwara (drums)

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One Song Two Sides Bold Breathing – MISSING

August 31st, 2016

a living score – a language used to tell a story, communicate a process, and provide instructions while remaining transient and undefined

One
Song
Two
Sides
Bold
Breathing

lost_score1  lost_score2
one_song_two_sides_sketch1  one_song_two_sides_bold1

went forever missing to an unknown admirer thief,  to a fourth interpreter, to the sea of lost mail, to the piccolo player in the clouds, to albert ayler, to its original recipient matana roberts, to the bureau of sacrificial arts,  to the ministry for desired art, or to the museum of lost art.  somewhere it is resting in peace.

August 2016

Here’s the story:
I sent 15 of the 16 scores back to the recipients I initially created them for, after their final appearance of Khal at Audio Foundation Gallery in Auckland, New Zealand, to locations around the globe.  The recipient of the above score, Matana Roberts, was in the process of shifting homes and said to keep her score.  After meeting this amazing underground dancer (literally underground) from Tehran, Iran at the opening of Khal at Nga Taonga Sound & Vision in Auckland (random and thrilling!), I knew this project wouldn’t end when I got back to the US.  I asked the dancer, Maryam Baghe Irani, if she would interpret one of the Khal scores into a solo dance piece.  She said yes.  The exchange occurred in November 2015.  The score (originally made for Matana), was finally on its way to Auckland on July 18, 2016.  My movements are slow.  She was to interpret it into a dance, send me a video recording of the performance, and I would then compose music to accompany it.   While more ideas were being exchanged, on August 10th 2016, I had the misfortune of receiving the package I had sent Maryam ripped and re-taped in a plastic bag, with a lovely note from USPS letting me know that they care and another letter stating that they found this empty parcel in the mail and believe that the contents were separated during handling.  It made it as far as LAX transit from Highland Park, Los Angeles.   This score survived Iranian customs and postal service, the Persian Gulf, the Caspian Sea, the North Atlantic Ocean, Brooklyn to Los Angeles, the Pacific Ocean, the Coral Sea, the Tasman Sea, but then lost highway from Highland Park to LAX before even leaving the city.

Despite the score’s physical disappearance, Maryam will still be interpreting the visual score (from images I sent her) into a dance sequence and I will still compose the music.
one song two sides bold breathing will forever remain a living score.

lost_score4
bundled score getting ready to be shipped to New Zealand
july 2016

 

UNITED STATES
POSTAL SERVICE

 WE CARE

 

Dear Postal Customer:

We sincerely regret the damage to your mail during handling by the Postal Service.  We hope this incident did not inconvenience you. We realize that your mail is important to you and that you have every right to expect it to be delivered in good condition.

Although every effort is made to prevent damage to the mail, occasionally this will occur because of the great volume handled and the rapid processing methods which must be employed to assure the most expeditious distribution possible.

We hope you understand. We assure you that we are constantly striving to improve our processing methods in order that even a rare occurrence may be eliminated.

Please accept our apologies.

Sincerely,

Your Postmaster

 

 

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Monument #2 at MOCA – April 7, 2016

April 30th, 2016

Monument Performance
at MOCA

Metal Rouge
Palmbomen II

Inspired by the ambient glow of Dan Flavin’s “monument” for V. Tatlin (1969), Monument is a yearlong series of performances by Los Angeles–based musicians and sound artists staged within the current installation of MOCA’s permanent collection. Considering the acoustics of the Grand Avenue galleries, Monument pairs musicians with specific pieces and/or galleries to enhance the viewer’s experience of the artwork through the addition of sound. Monument is co-organized by artists Nick Malkin and Brian Allen Simon in collaboration with MOCA.

Metal Rouge play an ‘ambient’ set in front of Franz Kline’s painting ‘Buttress’ at MOCA
monument2_2
Andrew Scott and Helga Fassonaki at MOCA, photos taken by Sara Gernsbacher, 2016

monument2_1

Metal Rouge – recorded live at MOCA Grand, 04-07-16

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ProjectLocate – LocateIran – launched Feb 5, 2016

February 5th, 2016

‘Khal Excerpts,’ recently included at The Audio Foundation Gallery in Auckland, NZ is currently part of an online exhibition called LocateIran – a 2 month exhibition of artists, writers, curators and cultural producers from and related to Iran.

Check out:
http://www.projectlocate.com/

Khal Excerpts
Khal Projects 

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Khal at Nga Taonga Sound and Vision

December 31st, 2015

November 17 – December 11, 2015
Nga Taonga Sound and Vision 
Auckland, New Zealand 

'8 Pillars - A Free Score' performed by Julia Santoli and Helga Fassonaki at Disjecta in Portland, Oregon. Photo by Paula Booker

'8 Pillars - A Free Score' performed by Julia Santoli and Helga Fassonaki at Disjecta in Portland, Oregon. Photo by Paula Booker
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ABOUT KHAL PROJECT

KHAL AT GLASSHOUSE, March 11, 2015

KHAL AT LACA, March 20 – April 9, 2015

KHAL AT THE AURICLE, October 8 – 30, 2015

KHAL PUBLIC PERFORMANCES AROUND THE GLOBE, 2015 

KHAL AT THE AUDIO FOUNDATION GALLERY, November 5 – 28, 2015 

KHAL AT VIEWFINDER AND NGA TAONGA SOUND AND VISION, Nov – Dec 2015

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Khal at the Viewfinder

December 31st, 2015

November 11 – 24, 2015
Viewfinder window
Auckland Central Library, New Zealand

'8 Pillars - A Free Score' at Viewfinder

'8 Pillars - A Free Score' at Viewfinder
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ABOUT KHAL PROJECT

KHAL AT GLASSHOUSE, March 11, 2015

KHAL AT LACA, March 20 – April 9, 2015

KHAL AT THE AURICLE, October 8 – 30, 2015

KHAL PUBLIC PERFORMANCES AROUND THE GLOBE, 2015 

KHAL AT THE AUDIO FOUNDATION GALLERY, November 5 – 28, 2015 

KHAL AT VIEWFINDER AND NGA TAONGA SOUND AND VISION, Nov – Dec 2015

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KHAL AT THE AUDIO FOUNDATION GALLERY

December 25th, 2015

November 5 – 28, 2015
Auckland, New Zealand

Khal Scores exhibited at Audio Foundation

Khal Scores exhibited at Audio Foundation
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ABOUT KHAL PROJECT

KHAL AT GLASSHOUSE, March 11, 2015

KHAL AT LACA, March 20 – April 9, 2015

KHAL AT THE AURICLE, October 8 – 30, 2015

KHAL PUBLIC PERFORMANCES AROUND THE GLOBE, 2015 

KHAL AT THE AUDIO FOUNDATION GALLERY, November 5 – 28, 2015 

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KHAL AT THE AURICLE GALLERY OF SONIC ARTS

December 21st, 2015

October 8 – 30, 2015
Christchurch, New Zealand

'Remove' score

'Remove' score
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ABOUT KHAL PROJECT

KHAL AT GLASSHOUSE, March 11, 2015

KHAL AT LACA, March 20, 2015

KHAL AT THE AURICLE, October 8, 2015

KHAL PUBLIC PERFORMANCES AROUND THE GLOBE, 2015 

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Khal Scores performed around the globe – 2015

December 19th, 2015

In September 2014, Helga Fassonaki sent scores in the form of sculptures from Tabriz, Iran to sixteen female artists and musicians living abroad to perform in public in lieu of her ability to do so legally in Iran.

Artists who received Fassonaki’s scores include Rachel Shearer & Beth Ducklingmonster (Auckland, NZ), Kali Z Fasteau (NYC, NY), Kelly Jayne Jones (London, UK), Heather Leigh (Glasgow, Scotland), Jenny Graf (Copenhagen, Denmark), Zaimph (Brooklyn, NY), Chiara Giovando (Los Angeles, CA), Shana Palmer (Baltimore, MD), Purple Pilgrims (North Island, NZ), Rachael Melanson (London, UK), Christina Carter (Austin, Texas), Gabie Strong (Los Angeles, CA), Ashley Paul (London, UK), Angeline Chirnside (Auckland, NZ) , Matana Roberts (NYC, NY), and Kathleen Kim (Los Angeles, CA).

Additional participating artists include Suki Dewey (Califon, NJ), Fariba Safai (San Francisco, CA), Nazanin Daneshvar (NYC, NY), Yasi Alipour (NYC, NY), Laura Sofia (NYC, NY), Julia Santoli (NYC, NY), Stainer Black-Five (Christchurch, NZ), Mela (Christchurch, NZ), Misfit Mod (Christchurch, NZ), French Concession (Christchurch, NZ), Instant Fantasy (Christchurch, NZ), Hermione Johnson & Zahra Killeen Chance (Auckland, NZ), Liz Maw (Auckland, NZ), and Piece War (Auckland, NZ).

Upon Interpreting the scores, the participants performed them publicly in the United States, New Zealand, Australia, Belgium, and the United Kingdom. The following videos document their performances and actions.

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Khal at Nga Taonga Sound & Vision – November 18 – December 11, 2015

November 15th, 2015

‘8 Pillars’ Score for Rachel Shearer

‘8 Pillars’ Score for Rachel Shearer

8_pillars_a_free_score

8 Pillars – A Free Score at Viewfinder window
November 11 – 24
Auckland Central Library, 46 Lorne Street, Auckland

Khal at Nga Taonga Sound & Vision

November 18 – December 11
300 Karangahape Rd Newton, Auckland NZ
Launch – November 17, 6pm
Performances
– 8pm

Nga Taonga Blog 

KHAL continues to document a living score as a language used to tell a story, communicate a process, and provide instructions while remaining transient and undefined.

Presented alongside Fassonaki’s filmed reinterpretation of her score 8 Pillars will be Khal Open Book – an archival box filled with score images, text, notes, interviews, and performance stills collected from September 2014 to current and includes conversations, exchanges, and actions that took place between Fassonaki and the sixteen plus artists involved.

Angeline Chirnside, Purple Pilgrims, and Rachel Shearer – three of the original score recipients have chosen three new Auckland-based artists to perform the scores for the opening:
Tuesday November 17, 8pm
featuring:
Hermione Johnson & Zahra Killeen Chance will perform ‘Hypocrisy’
Elizabeth Mary Maw will perform ‘Hum Hum Hum Hum Hum’
Piece War/ Live Visuals by Cutss will perform ‘8 Pillars’

8 PILLARS – A FREE SCORE
Working with the idea of a score as a living force containing the power to shape and reshape what enters our senses, Helga Fassonaki reinterpreted one of her scores ‘8 Pillars’ (originally created for New Zealand artist Rachel Shearer) into a performance composition for seven women. It was filmed on Independence Day 2015 in a forested area in Oldwick, New Jersey. The women (each representing a pillar) move in a slow and deliberate motion mirroring their meditative wordless humming of the Star Spangled Banner as they form a circular shape around the forest trees. The cameraperson is also one of the pillars whose motion and view is revealed through another camera frame that remains still, documenting the process of a composition being created but never finished. The group voices fade as one voice (the missing eighth pillar) continues chanting the anthem until the song becomes unrecognizable.

Presented as a kind of paradox, the ‘8 Pillars’ composition explores two sides of freedom – personal vs political, whilst stripping content from song until the sacredness of a singular voice is revealed. A solo voice whether banned by political law or censored by our own fears is a vessel for a powerful recalcitrant freedom, one that is always vulnerable to attack no matter how ‘free’ a country is.

Performers featured in the film include: Yasi Alipour, Julia Santoli, Gabie Strong, Nazanin Daneshvar, Laura Sofia, Suki Dewey, and Helga Fassonaki (also as cameraperson)

Solo Vocals: Julia Santoli

Watch 8 Pillars – A Free Score 

8 PILLARS LIVE PERFORMANCE (September 26, 2015)
Julia Santoli (solo vocals) alongside Helga Fassonaki performed the next sequence of the ‘8 Pillars’ filmed composition at Disjecta in Portland, Oregon. As Santoli continues to hum a deranged Star Spangled Banner anthem, the notes are elongated and blurred into solid tones of color.

KHAL OPEN BOOK
Presented as an unpublished book – an archive open to edits, renewal and dialogue. Contains notes, interviews, spoken words, score drawings, performance stills, and past exhibition iterations gathered from September 2014 to present from original score recipients:
Kali Z Fasteau (NYC, NY), Kelly Jayne Jones (London, UK), Heather Leigh (Glasgow, Scotland), Jenny Gräf (Copenhagen, Denmark), Zaïmph (Brooklyn, NY), Chiara Giovando (Los Angeles, CA), Shana Palmer (Baltimore, MD), Purple Pilgrims (North Island, NZ), Rachael Melanson (London, UK), Christina Carter (Austin, Texas), Gabie Strong (Los Angeles, CA), Ashley Paul (London, UK), Angeline Chirnside (Auckland, NZ), Matana Roberts (NYC, NY), Rachel Shearer with Beth Ducklingmonster (Auckland, NZ), and Kathleen Kim (Los Angeles, CA).
AND
additional participating artists:
Suki Dewey (Califon, NJ), Fariba Safai (San Francisco, CA), Nazanin Daneshvar (NYC, NY), Yasi Alipour (NYC, NY), Laura Sofia (NYC, NY), Julia Santoli (NYC, NY), Stainer Black-Five (Christchurch, NZ), Mela (Christchurch, NZ), Misfit Mod (Christchurch, NZ), French Concession (Christchurch, NZ), Instant Fantasy (Christchurch, NZ), Hermione Johnson & Zahra Killeen Chance (Auckland, NZ), Liz Maw (Auckland, NZ), and Piece War (Auckland, NZ).

More about Khal

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Khal at the Audio Foundation gallery – November 5 – 28, 2015

November 3rd, 2015

KHAL_AF_web
K H A L

5 November – 28 November 2015

Opening – 5 November, 5:30pm
Performances – 5 November, 7pm

The Audio Foundation Gallery
4 Poynton Terrace Auckland, NZ

An iteration of Khal, an ongoing project begun by Helga Fassonaki in Tabriz,
Iran in September 2014 will be exhibited at the Audio Foundation Gallery
from 5 November – 28. Fassonaki sent sixteen sculptural scores abroad for
sixteen female artists to interpret and perform publicly in response to a ban on
female solo performances in Iran. The original scores and recorded interpretations
by the participating artists will be exhibited.

Four of the original score recipients will be performing Fassonaki’s scores live
on 5 November:

Kathleen Kim – performing ‘Punk Standards’

Angeline Chirnside – performing ‘Hypocrisy’

Purple Pilgrims – performing ‘Hum, Hum, Hum, Hum, Hum’

Rachel Shearer with Beth Ducklingmonster – performing ‘8 Pillars’

ARTIST TALK – SATURDAY 14 NOVEMBER, 2PM @ AUDIO FOUNDATION 

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CELESTIAL at the Audacious Festival of Sonic Arts, 24 – 26 October

October 21st, 2015

celestial_web

Celestial presented at the Audacious Festival stems from my project Khal, exhibited at The Auricle Gallery of Sonic Arts till October 31, 2015.

When asked to present a sound piece for the Audacious Festival, which began as a way consider the vacant lots in Christchurch’s central city as fading gaps in the collective memory of those who know the city, the idea of vacancy as something empty but open came to mind.  Thinking about a time when Iran was apparently encouraging its pop singers and female vocalists to perform in concert halls, clubs, and cabarets – all of which were forced to shut down following the 1979 revolution, I began to consider the relationship between physical and cultural vacancy.  Vacant is the culture’s soul that once occupied those spaces like a building swept away – both leaving only traces and echoes of stories remembered.  But while a space physical or cultural is still vacant, there is an open gap of imagined possibilities.  Past stories and new dreams.

I’ve reinterpreted the score ‘Celestial’ – one of the 16 Khal scores originally sent from Iran to artists (outside Iran) to perform publicly, into a sound installation which will occupy the corner of Manchester and Armagh street – a vacant lot since Christchurch’s 2011 earthquake.

The sound is comprised of twelve solo vocal recordings from female artists in Iran singing the well known Iranian song, Morq-e sahar (translated as Dawn Bird) sung by many renown singers including the iconic Qamar-al-Moluk Vaziri, who was the first Persian female vocalist to sing without the obligatory veil in 1924. Her performance of ‘Dawn Bird’ left a lasting impression on future generations of female vocalists. Most people in Iran know the song by heart. The first stanza is lyrical, and the second refers to more social and political issues.

The collected solo recordings (each recorded privately in Iran) have been layered one on top of each, forming an orchestra or group vocals (to be broadcast publicly). The physical vacancy of one city will be filled by remnants of the cultural vacancy of another.

The ‘Celestial’ score was made out of what was once a plastic table cloth found in Tabriz.  The tablecloth was cut into squares following the floral design.  The stack of squares is fluid, unbound, and unattached allowing for open interpretation.  On October 24th, starting at 10am at the vacant lot on 281 Manchester Street, the square pieces were sewn back together reforming its past sequence as the sound of ghostly non-choir, out-of-sync voices vibrated out of a single mono speaker mixing into the vast sounds of nearby construction projects.

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Khal in Book of Scores at Disjecta

September 26th, 2015

September 26 – November 1, 2015
Book of Scores, curated by Chiara Giovando  
Disjecta
Portland, Oregon

8 Pillars – A Free Score (live)
composed by Helga Fassonaki
performed by Julia Santoli & Helga Fassonaki for the Book of Scores opening – September 26, 2015

8 Pillars - A Free Score (live), photo by Sam Hamilton

8 Pillars - A Free Score (live), photo by Sam Hamilton
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Watch video on Vimeo

8 Pillars – A Free Score (film projection stills)
film features Suki Dewey, Nazanin Daneshvar, Yasi Alipour, Julia Santoli, Gabie Strong, Laura Sofia, and Helga Fassonaki


Watch video on Vimeo

Khal Open Book

ABOUT KHAL PROJECT

KHAL AT GLASSHOUSE, March 11, 2015

KHAL AT LACA, March 20 – April 9, 2015

KHAL AT THE AURICLE, October 8 – 30, 2015

KHAL PUBLIC PERFORMANCES AROUND THE GLOBE, 2015 

KHAL AT THE AUDIO FOUNDATION GALLERY, November 5 – 28, 2015 

KHAL AT VIEWFINDER, November 11 – 24, 2015 

KHAL AT NGA TAONGA SOUND AND VISION, November 17 – December 11, 2015

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UPCOMING September – December 2015

August 25th, 2015

NOVEMBER – DECEMBER 

5 – 28 – Khal @ The Audio Foundation Gallery  in Auckland, New Zealand
opening reception: November 5 – Angeline Chirnside, Rachel Shearer + Beth Ducklingmonster, Purple Pilgrims, and Kathleen Kim will be performing Khal scores

14Artist Talk @ The Audio Foundation Gallery, 2pm in Auckland, New Zealand

11 – 24 – 8 Pillars – A Free Score at the Viewfinder window, Auckland Central Library, 46 Lorne Street, Auckland (showing continuously 24/7).

18 – 11 December – Khal @ Nga Taonga Sound & Vision in Auckland, New Zealand
opening reception (6pm): November 17 with Khal performances (8pm) by Hermione Johnson & Zahra Killeen Chance,  Liz Maw, and Song by Piece War (Tina Pihema)/ Live Visuals by Cutss

26 – yek koo @ The Audio Foundation with Rachel Shearer and Thistle Group (Claire Mahoney)

29yek koo, Adam Willetts, and TBA @ The Auricle in Christchurch, New Zealand

OCTOBER

8 – 31 – Khal @ The Auricle Sonic Arts Gallery in Christchurch, New Zealand
Opening reception: October 8
Performance evening: October 9 – Stainer Black-Five, Mela, Misfit Mod, French Concession, and Gemma Syme will be performing Khal scores

23 – 26Audacious Festival in Christchurch, New Zealand – public sound installation – an interpretation of the Khal score ‘Celestial’
23Kathleen Kim will be performing my score ‘ Punk Standards’ for the opening night of the Audacious Festival @ The Auricle, 7pm

25 – Artist talk – Celestial and the living score workshop, part of Audacious Festival symposium, 2:30pm

30Kathleen Kim, yek koo, and EYE @ Purple Rain Retro Bar & Cafe, Dunedin, NZ

SEPTEMBER

9 – Subsonic Emissions @ The Torus Porta with RawmeanOnewayness (Erie, PA),
yek kooJulia SantoliPas Musique and Live video during the performances by Jim Tuite.
9pm @ 113 Stockholm St, Storefront 1A, Brooklyn, NY 11221

20 – Poetry Festival @ Widow Jane Mine Cave – yek koo + Julia Santoli (duet performance) 
1pm – 4pm @ 668 Route 213, Rosendale, New York 12472 – $5

26 – 1 November  – “8 Pillars”, Book of Scores exhibition & event @ Disjecta
26 An iteration of  “8 Pillars – A Free Score”  will be performed by Julia Santoli + Helga Fassonaki during the opening reception. 
8371 N Interstate Avenue Portland, OR 97217

8 Pillars – A Free Score at the View Finder Window  11 – 24 November, 2015  8pillars_viewfinder

AUDACIOUS FESTIVAL OF SONIC ARTS, Christchurch, New Zealand – October 23 – 26
brochure_outside

brochure_inside

Celestial_workshop_web

The artist talk is part of a Sunday Symposium held on 25 October 2015, part of the Audacious Festival:
More details on Facebook Event: https://www.facebook.com/events/736526343120153/

 

khal_at_the_Auricle_performance
Five local artists will be performing my scores live at The Auricle on 9 October:
Stainer Black-Five (Jo Burzynska) – performing ‘One Two Sides Dirty’
Mela (Helen Greenfield) – performing ‘Remove’
Misfit Mod (Sarah Kelleher) – performing ‘Hair Porn’
French Concession (Ella) – performing ‘Heavy Light’
Instant Fantasy (Gemma Syme) – performing ‘One Song Two Sides Bold Breathing’

Khal at The Auricle opens October 8th. Reception: 6 – 8 pmKhal at The Auricle opens October 8th. Reception: 6 - 8 pm

The Book of Scores at Disjecta

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YEK KOO / GABIE STRONG / JULIA SANTOLI / BOB BELLERUE / THURSDAY JULY 2

July 2nd, 2015

TransPecos_july2_15

Yek koo
Gabie Strong
Julia Santoli
Bob Bellerue

TRANS -PECOS
Doors: 8PM
ALL AGES
9-15 Wyckoff Ave (L) to Halsey (M) to Myrtle/Wyckoff

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Gabie Strong (LA) and Yek Koo (NYC) – NE Summer Shows 2015

June 26th, 2015

yekkoo_GS_with_text_150res

DATES

Sat June 27
yek koo + Gabie Strong + Crazed (NY)
Spotty Dog Books and Ale
Broadcast live via Wavefarm/WGXC
440 Warren Street
Hudson, NY 12534

Wed July 1
yek koo, Gabie Strong, + local TBD
AUX/Vox Populi
319 NORTH 11TH STREET
3RD FLOOR
PHILADELPHIA PA 19107

Thurs July 2
yek koo, Gabie Strong, Julia Santoli, Bob Bellerue
Trans Pecos
915 WYCKOFF AVE.
QUEENS NY

Mon July 6
yek koo, Gabie Strong, Todd Anderson, Pretengineer
Deep Thoughts
138 South St,
Jamaica Plain
Boston, MA 02130

Tues July 7
yek koo, Gabie Strong, Jake Meginsky, and Matt Krefting
Jon Doe Jr. Record Store
269 Main St. Greenfield, MA

Wed July 8
yek koo, Gabie Strong, + local TBD
Albany Sonic Arts Collective
Upstate Artists Guild
247 Lark St. Albany, NY

Links:
http://www.gabiestrong.com/performance/
https://soundcloud.com/gabiestrong
https://vimeo.com/gstrong

http://helgafassonaki.net/yek_koo/
https://soundcloud.com/yek-koo
https://yekkoo.bandcamp.com/

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KHAL AT LOS ANGELES CONTEMPORARY ARCHIVES

June 2nd, 2015

March 20, 2015 – April 9, 2015

'8 Pillars' score at LACA

'8 Pillars' score at LACA
Picture 1 of 32

Photos taken by Jens Jonason and Helga Fassonaki, 2015

ABOUT KHAL PROJECT

KHAL AT GLASSHOUSE, March 11, 2015

KHAL AT LACA, March 20, 2015

 

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KATHLEEN KIM + KEY OF SHAME + YEK KOO + MIDDLE GREY

May 16th, 2015

transpecos_5-21-15
THURSDAY MAY 21, 8:30p

Trans-Pecos
9-15 Wyckoff Ave,
Ridgewood, New York 11385
$8

FB event

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yek koo live performance at KCHUNG RADIO – April 2, 2014

April 17th, 2015

yekkoo_kchung2
Crystalline Morphologies
KCHUNG RADIO AM 1630
yek koo begins at 21:00.

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Walk Through of Khal at LACA – Thursday April 9

April 9th, 2015

Khal_walk_through2LACA_4_walls_scoreLACA_zaimph

 

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Walk Through of Khal at LACA – Monday April 6

April 3rd, 2015

Khal_walk_throughLACA_khal1LACA_Khal2

Photos taken by Jens Jonason, 2015

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Khal At LACA – March 20 – April 9, 2015

March 29th, 2015

Khal_LACA2 Khal_LACA1Khal_LACA3 Khal_LACA4
KHAL
Friday, March 20, 2015 – April 9, 2015

March 20, 2015
7:30 – 10pm – opening reception

Los Angeles Contemporary Archive (LACA)
2245 E Washington Blvd
Los Angeles, CA 90021

An iteration of Fassonaki’s project Khal will be exhibited at Los Angeles Contemporary Archives (LACA) from March 20 to April 9th where the original 16 scores and recorded interpretations by the participating artists will be exhibited.

Special guest artist Fariba Safai will open the event on March 20th with a vocal interpretation of one of the scores entitled ‘Celestial’

Three artists will be performing Fassonaki’s scores live:
Kathleen Kim – performing ‘Punk Standards’
Gabie Strong – performing ‘Armour’
Shana Palmer – performing ‘Reveal Closed’.

Description of Khal project 

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Khal at Glasshouse on March 11, 2015

February 23rd, 2015

glasshouse_one_two_sides_dirty
Khal – A project by Helga Fassonaki
Wednesday March 11, 2015 – 8pm

Glasshouse
246 Union Avenue, Brooklyn, NY 11211

Glasshouse will be presenting the first iteration of Fassonaki’s project Khal on March 11th at 8pm. Sketched animation of visual scores will be accompanied by performing artist and environmental activist Suki Dewey’s spoken word interpretations.

Three artists will be performing Fassonaki’s scores live:
Zaïmph – performing ‘One Two Sides Dirty’
Kathleen Kim – performing ‘Punk Standards’
Kali Z. Fasteau – performing ‘5 Pillars’

Description of Khal project 

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Matana Roberts performs One Song Two Sides Bold Breathing –

January 17th, 2015

A score created by Helga Fassonaki part of Khal project

for_matana
sketch of ‘One Song Two Sides Bold Breathing’
Original Score made with felt and wire

Performed on January 14, 2015 by Matana Roberts:

KHAL Project

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Khal

October 28th, 2014

underground

In September 2014 Helga Fassonaki resided in an artist studio in Tabriz, Iran for a month. As a visual and performing artist, what she was able to share in public was restricted. Furthermore, as a female performing artist, the use of her voice in public performance was restricted.

Due to the establishment of the Islamic Republic of Iran in 1979, Ayatollah Khomeini ‘condemned all forms of music, other than classical and traditional Persian music’ as influenced by western culture, and therefore corruptive and forbidden. Khomeini also forbade women from singing solo in public because of ‘the seductive quality of the female voice’.

Since performing as she chose was illegal in Iran, Fassonaki sent compositions in the form of sculptural scores created during her residency in Tabriz to sixteen female artists and musicians living in the US, the United Kingdom, Denmark and New Zealand. The concept being that the scores be interpreted and performed publicly by these artists in lieu of Fassonaki’s ability to do so.

Different iterations of Khal will be presented at galleries in the US and New Zealand as a traveling exhibition in 2015/2016 where the scores and their interpretations by the participating artists will be displayed, heard, and reinterpreted – pushing the idea of a ‘living score’ as an archive open to edits, renewal and dialogue. As the series unfolds from one event to another, Fassonaki seeks to create a composition of voices and actions. Like the idea of Khal, (a derogatory term in Farsi for Iranian Pop music that was sent to Iran by Iranian US immigrants in the form of homemade mixed tapes so that Iranian residents could listen to their country’s own pop stars).  Through these simple actions, the hope is that the reverberation of freedom of expression can echo back across the globe and via the clandestine channels of the world wide web find it’s way back to the country in which the scores had their origin.

The original recipients of Fassonaki’s scores include Kali Z Fasteau (NYC, NY), Kelly Jayne Jones (London, UK), Heather Leigh (Glasgow, Scotland), Jenny Gräf (Copenhagen, Denmark), Zaïmph (Brooklyn, NY), Chiara Giovando (Los Angeles, CA), Shana Palmer (Baltimore, MD), Purple Pilgrims (North Island, NZ), Rachael Melanson (London, UK), Christina Carter (Austin, Texas), Gabie Strong (Los Angeles, CA), Ashley Paul (London, UK), Angeline Chirnside (Auckland, NZ), Matana Roberts (NYC, NY), Rachel Shearer with Beth Ducklingmonster (Auckland, NZ), and Kathleen Kim (Los Angeles, CA).

Additional participating artists thus far include Suki Dewey (Califon, NJ), Fariba Safai (San Francisco, CA), Nazanin Daneshvar (NYC, NY), Yasi Alipour (NYC, NY), Laura Sofia (NYC, NY), Julia Santoli (NYC, NY), Stainer Black-Five (Christchurch, NZ), Mela (Christchurch, NZ), Misfit Mod (Christchurch, NZ), French Concession (Christchurch, NZ), Instant Fantasy (Christchurch, NZ), Hermione Johnson & Zahra Killeen Chance (Auckland, NZ), Liz Maw (Auckland, NZ), and Piece War (Auckland, NZ).


EXHIBITION & EVENT DATES: 

March 11, 2015Glasshouse in Brooklyn, New York, 8PM
live performances by Kali Z. Fastaeu (NYC), Kathleen Kim (LA), and Marcia Bassett (NYC)

March 20 – April 9, 2015LACA (Los Angeles Contemporary Archives)
live performances by Gabie Strong (LA), Kathleen Kim (LA), and Shana Palmer (MD)

September 26, 2015 (opening) – Disjecta (Book of Scores curated by Chiara Giovando) in Portland, Oregon

October 8 – 30, 2015  – The Auricle Sonic Arts Gallery in Christchurch, New Zealand
live performances by local artists on October 9:  Stainer Black-Five (Jo Burzynska), Mela (Helen Greenfield), Misfit Mod (Sarah Kelleher), French Concession (Ella), and Instant Fantasy (Gemma Syme) – 7pm.

October 23 – 27, 2015 – Audacious Festival, Christchurch, NZ – A public installation of the Score ‘Celestial’

October 25, 2015 – Artist Talk, Audacious Festival

November 5 –  28, 2015Audio Foundation Gallery in Auckland, New Zealand

November 14, 2015 – Artist Talk at Audio Foundation Gallery

November 18 – December 31, 2015 – Nga Taonga Sound & Vision in Auckland, New Zealand 

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on missing a beat

September 7th, 2014

dear_receiver1

for_receiver

 

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YEK KOO RADIO CONCEPT TOUR

August 13th, 2014

radio_tour
developed for radio only – explores the relationship between body, microphone and air movement.  investigates a sound concept without exposure to the ‘missing element’ – the physical contact between audience and performer.

2015

Thursday April 2 – KCHUNG (Los Angeles, CA) – Crystalline Morphologies w/ DJ Gabie Strong, 7 – 9pm PST

Sunday October 26 – WSPN (Saratoga Springs, NY) – The King Loser’s Cut Out Bin w/ DJ Phil Donnelly – 10 – 12am
Saturday October 25 – WAVE FARM WGXC  (Acra, NY) – Saturday Night Special – 8pm
Monday October 13 – KDVS  (Davis, CA) – Live in Studio A with DJ Christine Richers (will air Oct 18 @ 10pm)
Sunday October 12 – KALX  (Berkeley, CA) – The Berkestir – 12 – 3pm
Saturday October 11 – KCHUNG (Los Angeles, CA) – Crystalline Morphologies w/ DJ Gabie Strong, 1 – 3pm
September 1 – WXYC (Chapel Hill, NC) – 4pm

 

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Crystalline Morphologies sound+vision on KCHUNG TV

July 23rd, 2014

CRYSTALLINE MORPHOLOGIES
“This is an experiment in sonic feedback set against visual dissonance. Features videos and camera work by John Pearson, with sounds by Ted Byrnes, Aisling Cormack, Helga Fassonaki, Matthew Hebert, Greg Lenczycki, Jorge Martin, RJ Russell, Andrew Scott, Jared Stanley, Gabie Strong. Live video production by Jens Jonason, Luke Fischbeck and Margie Schnibbe”
Saturday July 26 2-14
12:30 – 1:30 pm PDT
UCLA Hammer MuseumAdmission to the Made in L.A. exhibition is free. Parking is $3.Live sound and video performance for KCHUNG TV
2014 Made in L.A. exhibition @ UCLA Hammer Museum
Broadcast live on http://kchung.tv 

KCHUNG TV – Episode 8 – July 26, 2014 from KCHUNG TV on Vimeo.

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Holy Conch

July 14th, 2014

HOLY CONCH
Helga Fassonaki, Oaxaca 2014

‘…one does not speak in a shell, one listens’ – (Patti Smith from poem ‘Conch’)

This project was inspired by Akio Suzuki’s ‘Listening Point’ project, Oto-Date, which I had the opportunity to experience under Suzuki and Aki Onda’s instruction during Field Studies 2014 in London.   A group of us were given maps and told to find one or more ‘listening spots’ that we later shared with the group.   No recorders, no instruments – our tools were our eyes and ears.  Our ears like shells brought us closer to an audible landscape. Holy Conch was realized with a similar intention – through the minimal act of listening allow the senses and mind to peel wide open.   Holy Conch was specifically realized while doing a residency in Oaxaca, Mexico.  Upon arrival to Mexico, I was quickly roused by the many different sights and sounds coming from every direction – It was sensory overload times 100.  I couldn’t focus on my intended project. Instead I wanted to be out of my studio and fully immersed in the cityscape.

After giving into the vibrant distractions, I decided to use churches as my listening spaces to somewhat escape the loudness – from bands to rockets to dance classes to kids shouting to drum circles to the iconic gas truck that drives with a jingle much like an ice cream truck to a man yelling ‘aqua’ every hour everyday, etc.  In contrast, I thought churches could act as spaces for inner-reflection – a solo dwelling place ideal for listening.  I located 18 churches in the Central Oaxaca area and for the remaining duration of my residency I visited a few a day.  Using each of these resonating chambers in essence as my work studio, I sat or stood underneath the dome ceilings or walked around the canals for as long as I felt like being there.  I often returned to the same church but never quite had the same experience twice.  These churches were never actually without sound.  With their doors open and much noise bleeding through, the churches were like the holy filters of society.  Sounds reflected, echoed, resonated, and transformed – yet there was silence in the form of stillness as separation from the outside world itself acted like a filter.  But with the sound of church bells came a subtle reminder of the hierarchical shape present within – a cone shaped golden spiral one can both listen through and hide within.

With a map and my notes, I invite visitors to have their own listening experience of Holy Conch, Oaxaca.

Please download PDFs and experience:
holy_conch_pamphlet_outside

holy_conch_pamphlet_inside

Holy Conch post live performance &  listening environment
June 30th, 2014
flyer

I created a listening environment in which I improvised live with segments of recordings I made in the different Churches – a byproduct to share with an intimate audience.  What fascinated me with the churches in Oaxaca was the underlying Pagan beliefs that were practiced before the Spanish arrived bringing over the Catholic religion (around 1521).  Many Catholic churches were built right over Pagan shrines or sacred places. The chosen spots revealed the Pagans’ close relationship with nature and land.

In my alter creation I included raw materials symbolic of a kind of Pagan ritual integrated with a Baroque gold backdrop, an essence of my sensory experiences during holy conch.  The creation of this new listening environment appeared to have meditative effects on the audience.

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Obracadobra – Artist in Resident

June 7th, 2014

JUNE 2014
reporting from studio in
OAXACA, MEXICO

slow_movement   3_pieces

missing_element

Studio sketches –

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